Fiches | 16 resultats
Ansari, Emily Abrams, « “A Serious and Delicate Mission” : American Orchestras, American Composers, and Cold War Diplomacy in Europe », dans Felix Meyer, Carol J. Oja, Wolfgang Rathert et Anne Chatoney Shreffler (dir.), Crosscurrents : American and European Music in Interaction, 1900-2000, Woodbridge, Boydell Press, 2014, p. 287-298.
Butler, Melvin L., « Haitian Djaz Diplomacy and the Cultural Politics of Musical Collaboration », dans Ahrendt, Rebekah Susannah, Mark Ferraguto et Damien Mahiet (dir.), Music and Diplomacy from the Early Modern Era to the Present, New York, Palgrave Macmillan, 2014, p. 209-229.
Dunkel, Mario, « “Jazz—Made in Germany” and the Transatlantic Beginnings of Jazz Diplomacy », dans Rebekah Susannah Ahrendt, Mark Ferraguto et Damien Mahiet (dir.), Music and Diplomacy from the Early Modern Era to the Present, New York, Palgrave Macmillan, 2014, p. 147-168.
Favoretto, Mara, « La dictadura argentina y el rock : Enemigos íntimos », Resonancias, vol. 18, no 34, 2014, p. 69-87.
Giovani, Giulia, « Serenatas in the Service of Diplomacy in Baroque Venice », dans Rebekah Susannah Ahrendt, Mark Ferraguto et Damien Mahiet (dir.), Music and Diplomacy from the Early Modern Era to the Present, New York, Palgrave Macmillan, 2014, p. 45-67.
Langenkamp, Harm, « Conflicting Dreams of Global Harmony in US-PRC Silk Road Diplomacy », dans Rebekah Susannah Ahrendt, Mark Ferraguto et Damien Mahiet (dir.), Music and Diplomacy from the Early Modern Era to the Present, New York, Palgrave Macmillan, 2014, p. 83-100.
Mahiet, Damien, Mark Ferraguto et Rebekah Ahrendt, « Introduction », dans Rebekah Ahrendt, Mark Ferraguto et Damien Mahiet (dir.), Music and Diplomacy from the Early Modern Era to the Present, New York, Palgrave Macmillan, 2014, p. 1-16.
Ramel, Frédéric, « Perpetual Peace and the Idea of “Concert” in Eighteenth-Century Thought », dans Rebekah Susannah Ahrendt, Mark Ferraguto et Damien Mahiet (dir.), Music and Diplomacy from the Early Modern Era to the Present, New York, Palgrave Macmillan, 2014, p. 125-145.
Salois, Kendra, « The US Department of State’s “Hip Hop Diplomacy” in Morocco », dans Ahrendt, Rebekah Susannah, Mark Ferraguto et Damien Mahiet (dir.), Music and Diplomacy from the Early Modern Era to the Present, New York, Palgrave Macmillan, 2014, p. 231-249.
Spohr, Arne, « Concealed Music in Early Modern Diplomatic Ceremonial », dans Ahrendt, Rebekah Susannah, Mark Ferraguto et Damien Mahiet (dir.), Music and Diplomacy from the Early Modern Era to the Present, New York, Palgrave Macmillan, 2014, p. 19-43.
Survilla, M. Paula, « Music From the Embassy to the Underground in a Post-Soviet Belarus », dans Rebekah Susannah Ahrendt, Mark Ferraguto et Damien Mahiet (dir.), Music and Diplomacy from the Early Modern Era to the Present, New York, Palgrave Macmillan, 2014, p. 169-187.
Velasco-Pufleau, Luis, « Reflections on Music and Propaganda », Contemporary Aesthetics, vol. 12, 2014, http://hdl.handle.net/2027/spo.7523862.0012.007, consulté le 2 août 2022.
Velasco-Pufleau, Luis, « Réflexions sur les rapports entre musique et propagande », dans Massimiliano Sala (dir.), Music and Propaganda in the Short Twentieth Century, Brepols, Turnhout, 2014, p. 3-15.
Welch, Ellen R., « Constructing Universality in Early Modern French Treatises on Music and Dance », dans Rebekah Susannah Ahrendt, Mark Ferraguto et Damien Mahiet (dir.), Music and Diplomacy from the Early Modern Era to the Present, New York, Palgrave Macmillan, 2014, p. 103-123.
Williamson, Willow F., « Opening up Thinking Space for Improvised Collaborative Public Diplomacy », dans Ahrendt, Rebekah Susannah, Mark Ferraguto et Damien Mahiet (dir.), Music and Diplomacy from the Early Modern Era to the Present, New York, Palgrave Macmillan, 2014, p. 251-266.
Yaeger, Jonathan L., « The Leipzig Gewandhaus Orchestra and the Wages of Diplomatic Service », dans Rebekah Susannah Ahrendt, Mark Ferraguto et Damien Mahiet (dir.), Music and Diplomacy from the Early Modern Era to the Present, New York, Palgrave Macmillan, 2014, p. 69-81.