XIXe siècle-1 (1800-1849)

Ferraguto, Mark, « Eighteenth-Century Diplomats as Musical Agents », dans Frédéric Ramel et Cécile Prévost-Thomas (dir.), International Relations, Music and Diplomacy : Sounds and Voices on the International Stage, Cham, Palgrave Macmillan, 2018, p. 43-64.

Ferraguto, Mark, « Representing Russia : Luxury and Diplomacy at the Razumovsky Palace in Vienna, 1803-1815 », Music and Letters, vol. 97, nº 3, 2016, p. 383-408.

Gribenski, Fanny. « Negotiating the Pitch : For a Diplomatic History of A, at the Crossroads of Politics, Music, Science and Industry », dans Frédéric Ramel and Cécile Prévost-Thomas (dir.), International Relations, Music and Diplomacy : Sounds and Voices on the International Stage, Cham, Springer International Publishing, 2018, p. 173-192.

Lohman, Laura, Hail Columbia ! American Music and Politics in the Early Nation, Oxford, Oxford University Press, 2020.

Mahiet, Damien, « The Diplomat’s Music Test : Branding New and Old Diplomacy at the Beginning of the Nineteenth and Twenty-First Centuries », dans Frédéric Ramel et Cécile Prévost-Thomas (dir.), International Relations, Music and Diplomacy : Sounds and Voices on the International Stage, Cham, Palgrave Macmillan, 2018, p. 115-139.

Mahiet, Damien, « The Musical Diplomacy of Metternich », Diplomatica, vol. 3, n^o 2, 2021, p. 244-277.

Mahiet, Damien, The Concert of Nations : Music, Political Thought and Diplomacy in Europe, 1600s-1800s, Thèse de doctorat, Ithaca, Cornell University, 2011.

Nathaus, Klaus, « Music in Transnational Transfers and International Competitions : Germany, Britain and the US in the Nineteenth and Twentieth Centuries », dans Mario Dunkel et Sina A. Nitzsche (dir.), Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives, Bielefeld, Transcript, 2018, p. 29-48.