Êtes-vous certain(e) de vouloir supprimer Europe de l'Est–Pologne ?
Mika, Bogumila, « A Bridge between Two Worlds : The Founding Years of the Warsaw Autumn Festival », dans Pauline Fairclough (dir.), Twentieth-Century Music and Politics : Essays in Memory of Neil Edmunds, Londres, Routledge, 2016 [2013], p. 117-133.
Parus-Jankowska, Magdalena, « Polish Music Festivals as a Tool of Socialist Propaganda », dans Jan Blüml, Yvetta Kajanová et Rüdiger Ritter (dir.), Popular Music in Communist and Post-Communist Europe, Berlin, Peter Lang, 2019, p. 125-133.
Ritter, Rüdiger, « Between Propaganda and Public Diplomacy : Jazz in the Cold War », dans Mario Dunkel et Sina A. Nitzsche (dir.), Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives, Bielefeld, Transcript, 2018, p. 95-116.
Tuchowski, Andrzej, « “State Music” in Poland under the Stalinist Regime : Alfred Gradstein’s Cantata A Word about Stalin (1951) », dans Esteban Buch, Igor Contreras Zubillaga et Manuel Deniz Silva (dir.), Composing for the State : Music in Twentieth-Century Dictatorships, Abingdon, Routledge, 2016, p. 121-142.