Fiches | 22 resultats
Ahrendt, Rebekah, « The Diplomatic Viol », dans Frédéric Ramel et Cécile Prévost-Thomas (dir.), International Relations, Music and Diplomacy : Sounds and Voices on the International Stage, Cham, Palgrave Macmillan, 2018, p. 93-114.
Barthel-Calvet, Anne-Sylvie, « Targeting New Music in Postwar Europe : American Cultural Diplomacy in the Crafting of Art Music Avant-Garde Scenes », dans Frédéric Ramel et Cécile Prévost-Thomas (dir.), International Relations, Music and Diplomacy : Sounds and Voices on the International Stage, Cham, Palgrave Macmillan, 2018, p. 65-90.
Berti, Michela, « Europe in Rome/Rome in Europe : Diplomacy as a Network of Cultural Changes », dans Frédéric Ramel et Cécile Prévost-Thomas (dir.), International Relations, Music and Diplomacy : Sounds and Voices on the International Stage, Cham, Palgrave Macmillan, 2018, p. 24-41.
Buch, Esteban et Anaïs Fléchet, « Music, Diplomacy and International Solidarity : The Campaign for Miguel Ángel Estrella (1977-1980) », dans Ramel, Frédéric et Cécile Prévost-Thomas (dir.), International Relations, Music and Diplomacy : Sounds and Voices on the International Stage, Cham, Palgrave Macmillan, 2018, p. 193-211.
Çevik, Senem B., « Can Turkish-Armenian Music Diplomacy Emulate the Turkish-Greek Example? : Prospects and Limitations », Caucasus Survey, vol. 6, no 2, 2018, p. 130-146.
Cornago, Noé, « Schaeffer, Boulez, and the Everyday Diplomacies of French Decolonization », dans Frédéric Ramel et Cécile Prévost-Thomas (dir.), International Relations, Music and Diplomacy : Sounds and Voices on the International Stage, Cham, Palgrave Macmillan, 2018, p. 141-169.
Dunkel, Mario et Sina A. Nitzsche, « Popular Music and Public Diplomacy : An Introduction », dans Mario Dunkel et Sina A. Nitzsche (dir.), Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives, Bielefeld, Transcript, 2018, p. 9-29.
Dunkel, Mario, « Music Education and the Production of Prestige : West German Music Diplomacy in South Vietnam (1960-1968) », dans International Relations Are Acoustic : Let’s Listen!, numéro thématique de Arts and International Affairs, vol. 3, no 2, 2018, https://theartsjournal.net/2018/10/24/dunkel.
Fauser, Annegret, « World War II : Music as Propaganda », dans Sarah Mahler Kraaz (dir.), Music and War in the United States, New York, Routledge, 2018, p. 142-161.
Ferraguto, Mark, « Eighteenth-Century Diplomats as Musical Agents », dans Frédéric Ramel et Cécile Prévost-Thomas (dir.), International Relations, Music and Diplomacy : Sounds and Voices on the International Stage, Cham, Palgrave Macmillan, 2018, p. 43-64.
Fosler-Lussier, Danielle, Music in America’s Cold War Diplomacy, Oakland, University of California Press, 2018.
Gienow-Hecht, Jessica, « Of Dreams and Desire : Diplomacy and Musical Nation Branding Since the Early Modern Period », dans Frédéric Ramel et Cécile Prévost-Thomas (dir.), International Relations, Music and Diplomacy : Sounds and Voices on the International Stage, Cham, Palgrave Macmillan, 2018, p. 259-274.
Gribenski, Fanny. « Negotiating the Pitch : For a Diplomatic History of A, at the Crossroads of Politics, Music, Science and Industry », dans Frédéric Ramel and Cécile Prévost-Thomas (dir.), International Relations, Music and Diplomacy : Sounds and Voices on the International Stage, Cham, Springer International Publishing, 2018, p. 173-192.
Mahiet, Damien, « The Diplomat’s Music Test : Branding New and Old Diplomacy at the Beginning of the Nineteenth and Twenty-First Centuries », dans Frédéric Ramel et Cécile Prévost-Thomas (dir.), International Relations, Music and Diplomacy : Sounds and Voices on the International Stage, Cham, Palgrave Macmillan, 2018, p. 115-139.
Moore, Rachel, « The Legacy of War : Conceptualising Wartime Musical Life in the Post-War Musical Press, 1919-1920 », dans Barbara L. Kelly et Christopher Moore (dir.), Music Criticism in France, 1918-1939 : Authority, Advocacy, Legacy, Woodbridge, Boydell Press, 2018, p. 245-265.
Moore, Rachel, Performing Propaganda : Musical Life and Culture in Paris During the First World War, Woodbridge, The Boydell Press, 2018.
Nathaus, Klaus, « Music in Transnational Transfers and International Competitions : Germany, Britain and the US in the Nineteenth and Twentieth Centuries », dans Mario Dunkel et Sina A. Nitzsche (dir.), Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives, Bielefeld, Transcript, 2018, p. 29-48.
Prévost-Thomas, Cécile et Frédéric Ramel, « Introduction : Understanding Musical Diplomacies–Movements on the “Scenes” », dans Frédéric Ramel et Cécile Prévost-Thomas (dir.), International Relations, Music and Diplomacy : Sounds and Voices on the International Stage, Cham, Palgrave Macmillan, 2018, p. 1-19.
Pundziūte-Gallois, Emilija, « Music that Divides : The Case of Russian Musical Diplomacy in the Baltic States », dans Frédéric Ramel et Cécile Prévost-Thomas (dir.), International Relations, Music and Diplomacy : Sounds and Voices on the International Stage, Cham, Palgrave Macmillan, 2018, p. 235-256.
Ramel, Frédéric et Cécile Prévost-Thomas (dir.), International Relations, Music and Diplomacy : Sounds and Voices on the International Stage, Cham, Palgrave Macmillan, 2018.
Ritter, Rüdiger, « Between Propaganda and Public Diplomacy : Jazz in the Cold War », dans Mario Dunkel et Sina A. Nitzsche (dir.), Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives, Bielefeld, Transcript, 2018, p. 95-116.
Vuletic, Dean, « The Eurovision Song Contest in the Musical Diplomacy of Authoritarian States », dans Frédéric Ramel et Cécile Prévost-Thomas (dir.), International Relations, Music and Diplomacy : Sounds and Voices on the International Stage, Cham, Palgrave Macmillan, 2018, p. 213-234.