Êtes-vous certain(e) de vouloir supprimer Répertoire–Opéra ?
Bullivant, Joanna, « “A World of Marxist Orthodoxy”? Alan Bush’s Wat Tyler in Great Britain and the German Democratic Republic », dans Pauline Fairclough (dir.), Twentieth-Century Music and Politics : Essays in Memory of Neil Edmunds, Londres, Routledge, 2016 [2013], p. 7-21.
Campo-Bowen, Christopher, « An Operatic Locarno : The Paris Premiere of Smetana’s The Bartered Bride and Czechoslovak-French Cultural Diplomacy », Cambridge Opera Journal, vol. 28, nᵒ 3, 2016, p. 283-312.
Comtois, Justine, « Alfredo Casella’s Il deserto tentato (1937) : An Opera Dedicated to Benito Mussolini », dans Esteban Buch, Igor Contreras Zubillaga et Manuel Deniz Silva (dir.), Composing for the State : Music in Twentieth-Century Dictatorships, Abingdon, Routledge, 2016, p. 83-95
Everist, Mark, « Music, Theatre, and Diplomacy : The Paris Opéra During the Second Empire », Diplomatica, vol. 3, no 2, 2021, p. 278-301.
Everist, Mark, « Opera, Soft Power, and Anglo-French Relations in the Crimea (1855-1856) », dans Cristina Scuderi et Ingeborg Zechner (dir.), Opera as Institution : Networks and Professions (1730-1917), Berlin, LIT Verlag Münster, 2019, p. 95-118.