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Braithwaite, Lauren, « “Afghanistan is Not What You Think” : Cultural Diplomacy through Music Education and Performance », dans David G. Hebert et Jonathan McCullum (dir.), Ethnomusicology and Cultural Diplomacy, London, Lexington Books, 2022, p. 49-76.
Butler, Melvin L., « Haitian Djaz Diplomacy and the Cultural Politics of Musical Collaboration », dans Ahrendt, Rebekah Susannah, Mark Ferraguto et Damien Mahiet (dir.), Music and Diplomacy from the Early Modern Era to the Present, New York, Palgrave Macmillan, 2014, p. 209-229.
Carniel, Jess, « Nation Branding, Cultural Relations and Cultural Diplomacy at Eurovision : Between Australia and Europe », dans Julie Kalman, Ben Wellings et Keshia Jacotine (dir.), Eurovisions : Identity and the International Politics of the Eurovision Song Contest since 1956, Singapore, Springer Nature, 2019, p. 151-173.
Carniel, Jessica, « Towards a Theory of Participatory Diplomacy via the Eurovision Song Contest », Media, Culture & Society, vol. 46, no 5, 2024, p. 925-941.
Çevik, Senem B., « Can Turkish-Armenian Music Diplomacy Emulate the Turkish-Greek Example? : Prospects and Limitations », Caucasus Survey, vol. 6, no 2, 2018, p. 130-146.
Dunkel, Mario et Sina A. Nitzsche, « Popular Music and Public Diplomacy : An Introduction », dans Mario Dunkel et Sina A. Nitzsche (dir.), Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives, Bielefeld, Transcript, 2018, p. 9-29.
Hayton, Jeff, « Shouting Back : Popular Music and Protest », dans Klaus Nathaus et Martin Rempe (dir.), Musicking in Twentieth-Century Europe : A Handbook, Berlin, De Gruyter Oldenbourg, 2021, p. 347-367
Hynson, Meghan, « Indonesian Angklung : Intersections of Music Education and Cultural Diplomacy », dans Andy McGraw et Sumarsam (dir.), Performing Indonesia, Washington DC, Smithsonian Institution, 2016, https://asia-archive.si.edu/essays/article-hynson.
Mahiet, Damien, « The Diplomat’s Music Test : Branding New and Old Diplomacy at the Beginning of the Nineteenth and Twenty-First Centuries », dans Frédéric Ramel et Cécile Prévost-Thomas (dir.), International Relations, Music and Diplomacy : Sounds and Voices on the International Stage, Cham, Palgrave Macmillan, 2018, p. 115-139.
Mahiet, Damien, The Concert of Nations : Music, Political Thought and Diplomacy in Europe, 1600s-1800s, Thèse de doctorat, Ithaca, Cornell University, 2011.
Mamadjanova, Elnora et David G. Hebert, « Music Festivals and Cultural Diplomacy in Uzbekistan », dans David G. Hebert et Jonathan McCullum (dir.), Ethnomusicology and Cultural Diplomacy, London, Lexington Books, 2022, p. 77-92.
Marc, Isabelle, « Around the World : France’s New Popular Music Diplomacy », Modern & Contemporary France, vol. 28, no 3, 2020, p. 253-270.
Marc, Isabelle, « La diplomatie musicale en Espagne : Le cas de la musique populaire », dans Philippe Gonin et Philippe Poirrier (dir.), Musique, Pouvoirs, Politiques, numéro thématique de Territoires contemporains, no 6, 2016, http://tristan.u-bourgogne.fr/CGC/publications/Musique_Pouvoirs_Politiques/Isabelle_Marc.html, consulté le 27 octobre 2022.
Mazzola, Alessandro, « The Paradoxes of Cultural and Music Diplomacy in a Federal Country : A Case Study from Flanders, Belgium », dans Mario Dunkel et Sina A. Nitzsche (dir.), Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives, Bielefeld, Transcript, 2018, p. 49-67.
Pundziūte-Gallois, Emilija, « Music that Divides : The Case of Russian Musical Diplomacy in the Baltic States », dans Frédéric Ramel et Cécile Prévost-Thomas (dir.), International Relations, Music and Diplomacy : Sounds and Voices on the International Stage, Cham, Palgrave Macmillan, 2018, p. 235-256.
Ramel, Frédéric, « Beyond Bellephonic Sound : Exploring some Musical Diplomacies during the Ukraine War », Global Journal of Human-Social Science, vol. 24, no F1, 2024, p. 31-40, https://socialscienceresearch.org/index.php/GJHSS/article/view/103899.
Şahin, Nevin, « Dervish on the Eurovision Stage : Popular Music and the Heterogeneity of Power Interests in Contemporary Turkey », dans Mario Dunkel et Sina A. Nitzsche (dir.), Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives, Bielefeld, Transcript, 2018, p. 69-92.
Salois, Kendra, « The US Department of State’s “Hip Hop Diplomacy” in Morocco », dans Ahrendt, Rebekah Susannah, Mark Ferraguto et Damien Mahiet (dir.), Music and Diplomacy from the Early Modern Era to the Present, New York, Palgrave Macmillan, 2014, p. 231-249.
Survilla, M. Paula, « Music From the Embassy to the Underground in a Post-Soviet Belarus », dans Rebekah Susannah Ahrendt, Mark Ferraguto et Damien Mahiet (dir.), Music and Diplomacy from the Early Modern Era to the Present, New York, Palgrave Macmillan, 2014, p. 169-187.
Vuletic, Dean, « The Eurovision Song Contest in the Musical Diplomacy of Authoritarian States », dans Frédéric Ramel et Cécile Prévost-Thomas (dir.), International Relations, Music and Diplomacy : Sounds and Voices on the International Stage, Cham, Palgrave Macmillan, 2018, p. 213-234.
Williamson, Willow F., « Opening up Thinking Space for Improvised Collaborative Public Diplomacy », dans Ahrendt, Rebekah Susannah, Mark Ferraguto et Damien Mahiet (dir.), Music and Diplomacy from the Early Modern Era to the Present, New York, Palgrave Macmillan, 2014, p. 251-266.