XXe siècle-7 (1991-2000)

Çevik, Senem B., « Can Turkish-Armenian Music Diplomacy Emulate the Turkish-Greek Example? : Prospects and Limitations », Caucasus Survey, vol. 6, n^o 2, 2018, p. 130-146.

Dunkel, Mario et Sina A. Nitzsche, « Popular Music and Public Diplomacy : An Introduction », dans Mario Dunkel et Sina A. Nitzsche (dir.), Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives, Bielefeld, Transcript, 2018, p. 9-29. 

Jackaway, Gwenyth, « Selling Mozart to the Masses : Crossover Marketing as Cultural Diplomacy », Journal of Popular Music Studies, vol. 11-12, n^o 1, 1999, p. 125-150

Nathaus, Klaus, « Music in Transnational Transfers and International Competitions : Germany, Britain and the US in the Nineteenth and Twentieth Centuries », dans Mario Dunkel et Sina A. Nitzsche (dir.), Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives, Bielefeld, Transcript, 2018, p. 29-48.

Seeger, Anthony, « The Suyá and the White Man : Forty-five Years of Musical Diplomacy in Brazil », dans John M. O’Connell et Salwa El-Shawan Castelo-Branco (dir.), Music and Conflict, Urbana/Chicago, University of Illinois Press, 2010, p. 109-125.

Survilla, M. Paula, « Music From the Embassy to the Underground in a Post-Soviet Belarus », dans Rebekah Susannah Ahrendt, Mark Ferraguto et Damien Mahiet (dir.), Music and Diplomacy from the Early Modern Era to the Present, New York, Palgrave Macmillan, 2014, p. 169-187.

Vuletic, Dean, « The Eurovision Song Contest in the Musical Diplomacy of Authoritarian States », dans Frédéric Ramel et Cécile Prévost-Thomas (dir.), International Relations, Music and Diplomacy : Sounds and Voices on the International Stage, Cham, Palgrave Macmillan, 2018, p. 213-234.